Program

To participate in the colloquium please fill the form: https://forms.gle/GQKszf19tQjC6cei7 

To receive the link to the conferences online, fill this form: https://forms.gle/sZvcpf7EY3i6sU9fA 

Translation will be offered on site for the conferences in French: please fill the registration form so we can send you the details. We are not able to provide translation to some events. 

DAY 1 : Thursday 27th February
Faculté de Musique de l’Université de Montréal, 200 Avenue Vincent-D’Indy
Salle Serge Garant B484
Doors open at 8.30 a.m.
9am to 10.45am
Broadcast online
Langage TBD: Opening remarks
Conferences: Who practices public musicology? Case studies
In french: Public musicology, applied musicology, outreach, education… Call for the adoption of a unified terminology for the dissemination of musicology

Paola Deteix (Université de Montréal, OICRM/EPMM)

In french: “You simply have to listen to it”: Gilles Tremblay on the dissemination of contemporary music in Quebec

Vicky Tremblay (Université de Montréal, OICRM)

Strategies for Drawing New Audiences for Classical Music Concerts Through Public Musicology

Denise Finnegan-Hill (Indianapolis Symphony Orchestra, Independent Music Scholar)

Break
11.15am to 12.15am
Broadcast online
Conferences: Who practices public musicology? Case studies
In french: Popularising science to better reform teaching. Lectures by voice doctors at the Paris Conservatoire during the Third Republic

Martin Barré (Université Jean Moulin Lyon 3, Centre Georg Simmel, EHESS/IHRIM)

In french: A baritone at the École des Hautes Études in 1904: transmitting musical aesthetics to a non-specialist audience

Céline Frigau Manning (Université Jean Moulin Lyon 3, IHRIM/CNRS)

Lunch for the participants
2pm to 3.15pm Workshop open to all((In french without translation))
The technical breakdown of symphonic recordings, or “How am I going to show the crotales there?!?”

Béatrice Cadrin (Ludwig van Montréal)

Break
3.45pm to 5.15pm Participatory debate open to all (In french without translation) : Public musicology at the crossroads of education, social work, marketing and entertainment
  • How to think about musicology in the context of “communicating” with the public?
  • How far should we adapt musicological knowledge to satisfy a vision of transmission based on the ‘accessibility of discourse’?
  • In the spirit of outreach/mediation, do musical institutions and the media have a role to play in building bridges between musicologists and the public?
Cocktail for the participants in room B420
DAY 2 : Friday 28th February
Cité des Hospitalières, 251 Avenue des Pins
Salle des communautés
9.30am to 10.30am
Broadcast online
Conferences: Public musicology in institutions
In french: Music mediation and cultural rights: the example of the Maison de la Musique Contemporaine

Éloi Savatier (Université Sorbonne Nouvelle, Maison de la Musique Contemporaine)

In french: At the crossroads of discourse, practices and methods. Between public musicology and lyrical cultural institution.

Raphaëlle Blin (Opéra de Lyon, Université Lumière Lyon 2/Paris-Nanterre)

Break
11am to 12am Roundtable
Pedagogy, Curation, Practice: Crafting The Oxford Handbook of Public Musicology

Reba Wissner (Columbus State University)

Emily Ruth Allen (University of South Carolina)

Dana Gorzelany-Mostak (Georgia College & State University)

Eric Hung (Music of Asian America Research Center)

Katherine Leo (Associate Professor of Music, Millikin University)

Naomi Perley (Instructional Writer, The Royal Conservatory of Music)

Lunch for the participants
1.15pm to 2.15pm
Broadcast online
Conferences: Musicology at the service of reception
In french : Synaesthetic experience and enactive perception: an exploration of narrative affordances for music lovers and curious neophytes

Nicolas Jobin (Université de Montréal)

In french : What’s the point of a fun fact?

David Christoffel (Chercheur associé à l’IReMus)

Break
2.45pm to 3.45pm
Broadcast online
Conférences : Vers un milieu académique « public »
In french : Towards an inclusive public history of musical life in Quebec (VMQ)

Vanessa Blais-Tremblay (Université du Québec à Montréal)

Sandria P. Bouliane (Université Laval, OICRM-Ulaval, CRILCQ)

Laura Risk (Université de Toronto à Scarborough)

“Sur l’air de la liberté” (To the tune of freedom): raising awareness of the songs of women resistance fighters in Nazi prisons through a virtual and physical exhibition

Marie-Hélène Benoit-Otis (Université de Montréal, CRCMP)

Ariane Santerre (Université de Montréal,CRCMP)

Break and snacks
4.30pm Concert-recital
In french : In the time of Pauline Viardot
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