To participate in the colloquium please fill the form: https://forms.gle/GQKszf19tQjC6cei7
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Translation will be offered on site for the conferences in French: please fill the registration form so we can send you the details. We are not able to provide translation to some events.
| DAY 1 : Thursday 27th February Faculté de Musique de l’Université de Montréal, 200 Avenue Vincent-D’Indy Salle Serge Garant B484 |
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| Doors open at 8.30 a.m. | |
| 9am to 10.45am Broadcast online |
Langage TBD: Opening remarks |
| Conferences: Who practices public musicology? Case studies Moderator : Marie-Hélène Benoit-Otis |
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| In french: Public musicology, applied musicology, outreach, education… Call for the adoption of a unified terminology for the dissemination of musicology Paola Deteix (Université de Montréal, OICRM/EPMM) |
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| In french: “You simply have to listen to it”: Gilles Tremblay on the dissemination of contemporary music in Quebec Vicky Tremblay (Université de Montréal, OICRM) |
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| Strategies for Drawing New Audiences for Classical Music Concerts Through Public Musicology Denise Finnegan-Hill (Indianapolis Symphony Orchestra, Independent Music Scholar) |
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| Break | |
| 11.15am to 12.15am Broadcast online |
Conferences: Who practices public musicology? Case studies Moderator : Danick Trottier |
| In french: Popularising science to better reform teaching. Lectures by voice doctors at the Paris Conservatoire during the Third Republic Martin Barré (Université Jean Moulin Lyon 3, Centre Georg Simmel, EHESS/IHRIM) |
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| In french: A baritone at the École des Hautes Études in 1904: transmitting musical aesthetics to a non-specialist audience Céline Frigau Manning (Université Jean Moulin Lyon 3, IHRIM/CNRS) |
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| Lunch for the participants at the foyer of the concerhall Claude Champagne | |
| 2pm to 3.15pm | Workshop open to all (limited translation offered) The technical breakdown of symphonic recordings, or “How am I going to show the crotales there?!?” Béatrice Cadrin (Ludwig van Montréal) |
| Break | |
| 3.45pm to 5.15pm | Participatory debate (limited translation offered) Moderator: Michel Duchesneau Public musicology at the crossroads of education, social work, marketing and entertainment |
| Cocktail for the participants in room B420 | |
| A reservation at Rumi restaurant, 5198 Rue Hutchison, at 7:30p.m. has been made for registered participants. | |
| DAY 2 : Friday 28th February Cité des Hospitalières, 251 Avenue des Pins Salle des communautés |
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| 9.30am to 10.30am Broadcast online |
Conferences: Public musicology in institutions Moderator : Irina Kirchberg |
| In french: Music mediation and cultural rights: the example of the Maison de la Musique Contemporaine Éloi Savatier (Université Sorbonne Nouvelle, Maison de la Musique Contemporaine) |
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| In french: At the crossroads of discourse, practices and methods. Between public musicology and lyrical cultural institution. Raphaëlle Blin (Opéra de Lyon, Université Lumière Lyon 2/Paris-Nanterre) |
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| Break | |
| 11am to 12am | Roundtable Pedagogy, Curation, Practice: Crafting The Oxford Handbook of Public Musicology Reba Wissner (Columbus State University) Emily Ruth Allen (University of South Carolina) Dana Gorzelany-Mostak (Georgia College & State University) Eric Hung (Music of Asian America Research Center) Katherine Leo (Associate Professor of Music, Millikin University) Naomi Perley (Instructional Writer, The Royal Conservatory of Music) |
| Lunch for the participants | |
| 1.15pm to 2.15pm Broadcast online |
Conferences: Musicology at the service of reception Moderator : Jonathan Goldman |
| In french : Synaesthetic experience and enactive perception: an exploration of narrative affordances for music lovers and curious neophytes Nicolas Jobin (Université de Montréal) |
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In french : What’s the point of a fun fact? David Christoffel (Chercheur associé à l’IReMus) |
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| Break | |
| 2.45pm to 3.45pm Broadcast online |
Conferences: Towards a ‘public’ academia Moderator : Sylvain Caron |
| In french : Towards an inclusive public history of musical life in Quebec (VMQ) Vanessa Blais-Tremblay (Université du Québec à Montréal) Sandria P. Bouliane (Université Laval, OICRM-Ulaval, CRILCQ) Laura Risk (Université de Toronto à Scarborough) |
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| “Sur l’air de la liberté” (To the tune of freedom): raising awareness of the songs of women resistance fighters in Nazi prisons through a virtual and physical exhibition
Marie-Hélène Benoit-Otis (Université de Montréal, CRCMP) Ariane Santerre (Université de Montréal,CRCMP) |
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| Break | |
| 4.30pm | Concert-recital : In the time of Pauline Viardot (in french)
Hélène Picard (voice) Florence Bourget (voice) Tony Stauffer (piano) Laurent Turcot (historian) |